Photo by David Andrews


Photo by David Andrews

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Baltimore-based baritone Zachary Bryant is completing his DMA in Voice Performance at the University of Maryland in the studio of Kevin Short. 21/22 season engagements include house debuts with Baltimore Concert Opera, OperaDelaware and Victorian Lyric Opera Company and performances as Count Danilo (The Merry Widow) and Count Homonay (The Gypsy Baron) on Victorian Lyric Opera Company's season opening concert "From Paris to Vienna", Fiorello and Dr. Bartolo cover in Rossini's Il barbiere di Siviglia (Baltimore Concert Opera and OperaDelaware), Quinault in Cilea's Adriana Lecouvreur, Mr. Gobineau cover in Menotti's The Medium (Baltimore Concert Opera), L'Inspecteur/Alphonse/Gégène/M. Petitpois in Tailleferre's Quatre opéras bouffes (University of Maryland) and Outreach Artist with Baltimore Concert Opera. 

During the 20/21 season, Bryant performed the role of Manfred Lewin in a virtual production of Heggie & Scheer's For a Look or a Touch and presented a recital featuring Mahler’s Lieder eines fahrenden Gesellen and works by Santoliquido, Poulenc, Auric, Weill, Hoiby, Musto and Heggie. Other performance highlights of recent seasons include Sciarrone in Puccini’s Tosca (Annapolis Opera), Riff in Bernstein’s West Side Story (CU Eklund Opera), Count Almaviva in Mozart’s Le nozze di Figaro (Prague Summer Nights Festival), Rè di Scozia in Handel’s Ariodante (CU Eklund Opera), Anthony Hope in Sondheim’s Sweeney Todd (CU Eklund Opera) and Kromov in Lehár’s Die lustige Witwe (CU Eklund Opera).

A frequent new music collaborator, Bryant has created roles in numerous opera premieres with notable composers and librettists Jake Heggie, Gene Scheer and Tom Cipullo through CU New Opera Works: Paul in the workshop premiere of Heggie & Scheer’s If I Were You, Fred Beenstock in the workshop premiere of Cipullo’s Hobson’s Choice, Nick in the world premiere of Silen Wellington's Dame, Not Lady as well as scene premieres as Thomas in Elena Specht's Dust to Dirt, Paul in John Clay Allen's Triage and Alden in Kevin Michael Olson's The Reach. He has performed the role of Bram in Elizabeth Greene’s Hajar (Washington Adventist University) and was baritone soloist in the world premiere of Wellington's Fragmenting Ymir.

Additional highlights include multiple seasons with the Houston Grand Opera Chorus, leading roles with the Houston Gilbert & Sullivan Society, Teaching Artist with the Alley Theatre Conservatory and Voice Instructor with University of Colorado Boulder, Memorial School of Music and Katy Independent School District.


Bryant received degrees from Columbus State University and University of Colorado Boulder, where he earned his MM in Voice Performance & Pedagogy in the studio of Andrew Garland and worked extensively with the Entrepreneurship Center for Music.

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